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Now that screens are so much bigger, however, it's not enough to simply add more pixels, as there are other aspects of the image that can be improved. When we went from standard definition to HD, screen sizes were a lot smaller and just having the extra pixels was enough to transform the picture. There's a new level of dynamism to images, something hugely evident in a film like the Lego Movie.
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Not only that, but HDR has some extra zip to it compared with standard viewing. You get so accustomed to simultaneously seeing shadow detail and details in the highlights that you may come to find watching standard images a bit flat and dissatisfying. Watch some carefully crafted HDR, like Cernjul's short showcase movie, Converging Beams, made for Panasonic, and you can see the potential. Here's the big takeaway: HDR TVs and content will display a more realistic color range, with an expanded contrast ratio to make black parts of the image look closer to 'true' black. HDR is bringing media closer to what the human eye sees, and by doing so, is creating more realistic images, from scenes bleached with sunlight to nighttime shots on city streets. Having just completed shooting the second season of Marco Polo in HDR, Cernjul sees streaming services as the natural home for HDR production, because of the number of original shows being commissioned by the likes of Netflix and Amazon.
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He thinks that filmmakers will, like him, be attracted to work on TV with the possibilities of HDR. In post-production Cernjul will tinker with the levels of exposure, brightness, contrast and colour saturation, making them look as good as possible on an HDR-compatible screen. "You no longer have to choose whether to expose for the highlights or the shadows, so when I shoot I try and include a light source in the shot, which I can play within the HDR grading session." When we caught up with Hollywood cinematographer Vanja Cernjul he was positively brimming with excitement about HDR, saying that: "The whole composition is affected by the increased detail in brightness.
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(Go put on a horror movie and you'll be able to tell the difference immediately.)įor example, a wide shot of a campfire at night could have subtle details in the flame rather than appearing 'blown out', along with palpable definition to objects that are barely lit in the gloomy surroundings at the edge of the frame.Īs Panasonic's training manager Michael Price says, "It's about control, not just extra brightness and results in more natural expressions of light and shadow."
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Whereas on a standard display everything below a certain brightness is the same shade of black, an HDR TV's display range goes further, allowing you to tell the difference between something that's really really dark, and something that's just dark. The improvements you'll see with an HDR image compared to a normal image are numerous. HDR creates a wider gamut of colors, allowing for a more vivid image The end result, an image with more contrast between its lightest and darkest areas is the same, but instead of combining separate images this effect is produced using better camera technology to capture the best possible footage in the first place. So although it might share a name and common points with photography, clearly HDR video is different to smartphone photography. It all has to do with the way an image is displayed on the screen and the source content used to do it. Yes, you're still getting an expanded color gamut and contrast ratio when it comes to video, but you're not doing it by combining several images or videos. So while the first stop produces an extremely dark image, the last result is exceptionally bright, lending better luminosity to the final portmanteau photo. These are called stops, and the amount of light is doubled from one to the next. Separate photos are taken at different exposures during the process. But the way they work is slightly different.įor example, high-end cameras and recent smartphone apps utilize HDR by combining several photos taken during a single burst of many photos. Both result in images that have a greater contrast between light and dark. So let's clear up some confusion: the kind of high dynamic range that your HDR TV is capable of shouldn't be confused with the HDR photography options that have recently been added to smartphone cameras.
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